Posts tagged The Shed
ARTISTS TO KNOW: PATRICIA ENCARNACIÓN

Photography by Avery Savage

There are certain projects that don’t just speak to identity but ask us to feel through its politics. Patricia Encarnación’s Tropical Limerence, part of The Shed’s Open Call: Portals exhibition (on view through August 24), is one of them. Across ceramic forms, layered video essays, and filmed testimonies, the installation asks us to confront how colonial desire continues to shape how Global Majority communities are seen, consumed, and misinterpreted. Through conversations held in the Dominican Republic, Martinique, Puerto Rico, Barcelona, and New York City, Encarnación creates an embodied archive that blurs the lines between artwork and altar, vulnerability and theory, fracture and sovereignty.

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ARTISTS TO KNOW: MARWA ELTAHIR

Photography by Avery Savage

As part of our ongoing collaboration with The Shed to spotlight artists from the Open Call: Portals exhibition (June 27–August 24), SHEER spent time inside the immersive installation of visual artist, writer, and producer Marwa Eltahir: 99 Names: My Liberation Is Tied To Yours.

Her installation creates a sacred, sensory space for reflection. Modeled after majlis-style communal seating found along sub-Saharan caravan routes, the work invites audiences to rest on woven rugs beneath sheer white curtains, surrounded by sound, stillness, and prayer. A projected film plays in a loop, opening with the Azan and unfolding into spoken word narration and original composition.

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ARTIST & DESIGNER TO KNOW: MEL CORCHADO

Photography by Avery Savage

SHEER had the chance to visit the Brooklyn studio of fashion designer and artist Mel Corchado ahead of her exhibition debut. Mel’s practice is rooted in slowness and intention. Whether she’s sewing by hand, gathering with community, or experimenting with unconventional materials like sugar, her work invites us to think beyond product and into process, care, and cultural memory.

Her installation for Portals, titled $TICKY $IN$, features garments made of hardened sugar. These glimmering, fragile structures explore the material’s ties to colonial labor, Puerto Rican identity, and the shifting nature of time. In person, they feel less like clothes and more like quiet vessels of transformation.

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