ARTIVISM: ART TO EMPOWER WORKSHOP IN PARTNERSHIP WITH CHILDREN OF PROMISE NYC
Photo Courtesy of Children of Promise, NYC
SHEER had the honor of hosting our very first creative workshop at Children of Promise NYC!
Children of Promise, NYC is a community-centered organization that partners with children and families impacted by mass incarceration to dismantle the stigma and heal from the trauma plaguing Black and Brown communities.
We had a chance to create with two groups of scholars through an affirmation focused workshop that involved taking Polaroids of the scholars and giving them the space to customize posters with their Polaroids and favorite uplifting affirmations surrounding them. ❤️✨
MAJOR thank you to the amazing team at CPNYC, the fantastic scholars, and all of our wonderful creative volunteers!: Henry Danner, Kamille Glen, Natiah Jones, RaSheba Jones, and Jessica Bruzanniti.
Check out more photos from the workshop below and learn more here about how you can support CPNYC’s mission.
Photography by Avery Savage
There are certain projects that don’t just speak to identity but ask us to feel through its politics. Patricia Encarnación’s Tropical Limerence, part of The Shed’s Open Call: Portals exhibition (on view through August 24), is one of them. Across ceramic forms, layered video essays, and filmed testimonies, the installation asks us to confront how colonial desire continues to shape how Global Majority communities are seen, consumed, and misinterpreted. Through conversations held in the Dominican Republic, Martinique, Puerto Rico, Barcelona, and New York City, Encarnación creates an embodied archive that blurs the lines between artwork and altar, vulnerability and theory, fracture and sovereignty.
Photography by Avery Savage
For our third feature in The Shed’s Open Call: Portals series, we step inside the world of Haitian-Canadian artist Laurena Finéus. As she prepared for the opening preview, we caught rare behind the scenes moments while she put the finishing touches on Together, We Could Have Made Mountains, her first textile installation that weaves Haitian migrant stories into a landscape of dreams, sacrifices, and shared histories. Alongside the installation, her paintings incorporate soil, mica, and natural pigments, transforming each piece into both a vessel for memory and a living archive of migration.\
In our conversation, Laurena reflects on migration as resistance in the face of racial violence, the coumbite tradition of coming together in mutual support, and how working with textile and ceramic beads became a ritual of care, preservation, and possibility. She speaks to the balance between rupture and refuge, grief and futurity, and the grounding practices that keep her rooted while navigating institutional spaces.
Photography by Avery Savage
As part of our ongoing collaboration with The Shed to spotlight artists from the Open Call: Portals exhibition (June 27–August 24), SHEER spent time inside the immersive installation of visual artist, writer, and producer Marwa Eltahir: 99 Names: My Liberation Is Tied To Yours.
Her installation creates a sacred, sensory space for reflection. Modeled after majlis-style communal seating found along sub-Saharan caravan routes, the work invites audiences to rest on woven rugs beneath sheer white curtains, surrounded by sound, stillness, and prayer. A projected film plays in a loop, opening with the Azan and unfolding into spoken word narration and original composition.
Photography by Avery Savage
SHEER had the chance to visit the Brooklyn studio of fashion designer and artist Mel Corchado ahead of her exhibition debut. Mel’s practice is rooted in slowness and intention. Whether she’s sewing by hand, gathering with community, or experimenting with unconventional materials like sugar, her work invites us to think beyond product and into process, care, and cultural memory.
Her installation for Portals, titled $TICKY $IN$, features garments made of hardened sugar. These glimmering, fragile structures explore the material’s ties to colonial labor, Puerto Rican identity, and the shifting nature of time. In person, they feel less like clothes and more like quiet vessels of transformation.
Photography by Shalaina Joy
As we approach the Affordable Art Fair Spring Edition opening this Wednesday, March 19th in NYC, we are excited to spotlight Alanis Forde, one of SHEER's exhibiting artists. Alanis is a figurative portraiture and surrealist artist who lives and works in Barbados. She works mainly with oil paint and collage on traditional canvas. The use of unrefined brushstrokes, dotted textures, patterns and vibrant colors allows the viewer’s eye to be in constant motion and transports them into a paradisiacal dystopia.
Photography by Avery Savage
To close out The Shed’s Open Call: Portals series, we’re spotlighting Chelsea Odufu, a multidisciplinary artist whose work spans film, photography, sculpture, performance, and design. Her installation Gold with a Mind of Its Own explores the lasting imprint of the gold trade in Côte d’Ivoire through movement and visual language, using the body as a tool for reflection and resistance.
Now living between Abidjan and New York, Chelsea brings a global perspective to everything she creates, shaped by movement across mediums, across continents, and across dimensions of Black identity.