"UNAPOLOGETICALLY HERE" OPENS AT THE HAMPTONS FINE ART FAIR FEATURING ARTISTS ROSSANA ROMERO AND DESTINY BRANAY


SHEER centers the art and stories of multicultural creative women and non-binary people of color globally and holds space for creatives of color to explore the intersecting identities that make us who we are.
SHEER was pleased to present “Unapologetically Here” at the Hamptons Fine Art Fair featuring artworks by Destiny Branay and Rossana Romero. Destiny Branay is an emerging self-taught oil painter who is dedicated to using her practice as a vessel for communal healing and empowerment for the Black community employing a star motif in much of her work which is symbolic of the light that exists in Black people that refuses to be dimmed. Rossana Romero is a Colombian visual artist who through the mediums of oil paintings and paper mache sculptures, combines portraiture and landscapes to explore the rich narratives and folk tales of both South America and the United States combining Western European and Indigenous mythology.
Photos from the Hamptons Fine Art Fair opening night captured below by Nabila Wirakusumah.
Photography by Avery Savage
There are certain projects that don’t just speak to identity but ask us to feel through its politics. Patricia Encarnación’s Tropical Limerence, part of The Shed’s Open Call: Portals exhibition (on view through August 24), is one of them. Across ceramic forms, layered video essays, and filmed testimonies, the installation asks us to confront how colonial desire continues to shape how Global Majority communities are seen, consumed, and misinterpreted. Through conversations held in the Dominican Republic, Martinique, Puerto Rico, Barcelona, and New York City, Encarnación creates an embodied archive that blurs the lines between artwork and altar, vulnerability and theory, fracture and sovereignty.
Photography by Avery Savage
For our third feature in The Shed’s Open Call: Portals series, we step inside the world of Haitian-Canadian artist Laurena Finéus. As she prepared for the opening preview, we caught rare behind the scenes moments while she put the finishing touches on Together, We Could Have Made Mountains, her first textile installation that weaves Haitian migrant stories into a landscape of dreams, sacrifices, and shared histories. Alongside the installation, her paintings incorporate soil, mica, and natural pigments, transforming each piece into both a vessel for memory and a living archive of migration.\
In our conversation, Laurena reflects on migration as resistance in the face of racial violence, the coumbite tradition of coming together in mutual support, and how working with textile and ceramic beads became a ritual of care, preservation, and possibility. She speaks to the balance between rupture and refuge, grief and futurity, and the grounding practices that keep her rooted while navigating institutional spaces.
Photography by Avery Savage
To close out The Shed’s Open Call: Portals series, we’re spotlighting Chelsea Odufu, a multidisciplinary artist whose work spans film, photography, sculpture, performance, and design. Her installation Gold with a Mind of Its Own explores the lasting imprint of the gold trade in Côte d’Ivoire through movement and visual language, using the body as a tool for reflection and resistance.
Now living between Abidjan and New York, Chelsea brings a global perspective to everything she creates, shaped by movement across mediums, across continents, and across dimensions of Black identity.